Briefly
describe your journey in writing your first or latest book.
The first book I wrote is “Maladrid: the Tales of
Dominhydor, Book One.” It’s also my least favorite. Not because I dislike the
story; in fact, I really love my Dominhydor stories. The problem with “Maladrid”
is that I started it when I was 19, really just starting out as a serious
writer, and no matter how many times I edited it before it was published in
2010, I could never get 19-Year-Old Jess out of the manuscript. But as
unfortunate as that is, it’s also amazing to look back and see how much I’ve
grown as a writer and storyteller since then. If you would’ve told me 10 years
ago that I’d be on the cusp of my 12th novel release, I would’ve spit
in your eye…then apologized…and spit again.
How long
before you got your offer of representation/your first contract? Was it for
your first novel?
My first published novel was “Camelot Lost,” an Arthurian
Legend story. I sent it out to various publishers for several months and always
received the same response: a rejection based on the story being too similar to
Marion Zimmer Bradley’s “Mists of Avalon.” Well, as “Camelot Lost” bears very
little resemblance to “Mists of Avalon,” I was led to believe that these
publishers probably weren’t even reading the manuscript. It taught me a lot
about writing good query letters and summaries. If I’d described the book better, maybe they would’ve been
more compelled to give it a chance. So, after a lot of rejections, I decided to
send it to PublishAmerica, a local POD company. It was accepted in late 2007
and published in July 2009.
What
factors influenced your decision to go with a particular agent or publisher?
Basically, I just wanted to be published, and even though
the company didn’t have the best reputation, I figured the publishing credit
was more important. I still believe that having that one published novel under
my belt helped lead to the acceptance of my novella “A Touch of Scarlet” by
Eternal Press and my novel “Song of Eidolons” by eTreasures Publishing soon
after.
Are you
currently under a traditional publishing contract for future books or do you
have manuscripts that you will publish directly for Kindle?
I have not self-published anything yet, but that doesn’t
mean I won’t. There’s this perception that self-published authors are lazy,
that they don’t want to do the work to get published “for real,” but with most
of the indie books I’ve read, that’s just not the case. I’ve read some really
amazing self-published books, and knowing how much time and effort those
authors put in makes them even better. I’m the lazy one. I want to spend all of
my time working on stories and conveying my personality to my readers. I have
no mind for business or the logistical side of publishing, and I’m really not
looking forward to figuring out formatting. Not my idea of a good time.
If you
used a graphic designer/publisher’s designer, how involved were you during the
creative process for your cover?
I have worked with some really amazing artists provided by
my publishers, like Dawn Dominique for “A Touch of Scarlet” and Philip R.
Rogers for “Play the Way Home” (published under E.J. McCain). I also
have to acknowledge my talented husband, Dave McHugh, who did the illustrations
and cover art for my novella “Danny Marble & the Application for Non-Scary
Things.” I have never had an issue dealing with the artists provided by the
publisher. They are always very sensitive to my vision, and if I don’t have
one, they’re great at creating something awesome. Reliquary Press, who
published my novels “The Sky: The World” and “From the Herald’s Wearied Eye” is
a company that makes their own covers, and they are some of my favorites so
far.
What is
your writing process?
The way I begin a book really depends on the story.
Sometimes I plot a bit, the first few chapters maybe, but a lot of times, I
just start writing. I let the story possess me, and I get to know the
characters first. When I finish writing a story and get into editing, that’s
when the story gets its meat and loses its fat. I clean up the whirlwind
writing of a first draft and extend, extend, extend. Now that I know the entire
story, I can add bits of fun foreshadowing into the beginning and make the
characters much richer. I write everything by hand first, then type it up,
print out the manuscript to edit, type the corrections back into the computer,
and repeat until “perfect.” Then, I have the computer read the story aloud so I
can catch all of the little mistakes my eyes missed. It’s the best kind of
insanity there is.
What kinds
of social media [twitter, facebook, webpage, blog, writing forums] are you
involved with trying to garner publicity for your book(s)?
I’m very active on my Facebook Author Page (http://www.facebook.com/author.JessicaMcHugh
). I use it to promote my work, of course, but I also like to post little
witticisms I call “DeepThoughtsy” or “McTruth.” I also like to support my inky
cohorts and will often post links to other indie authors I’ve encountered along
this crazy writing road.
Besides
Amazon, are there any other sites where your books are for sale?
Most of them are also at Barnes & Noble, as well as the
publishers’ websites. Just to name a few, you can find individual books at http://www.postmortem-press.com/, www.ReliquaryPress.com, http://etreasurespublishing.com/.
If all else fails, just Google my name. Some helpful internet elf will help you
on your way.
Do you
find it difficult to juggle your time between marketing your current book and
writing your next book?
I work on several writing projects at once, so while I’m
writing one book, I’m usually editing a few others. It’s absolutely difficult,
but if it was easy, everyone would do it.
What is
the best advice you can offer new authors?
Writing is hard, time-consuming work. If you’re serious and
passionate about being an author (a good
author, especially), you have to make time for (at least a little) writing
every day. Time, of course, is a about as readily available as Unicorn Pole
Dancers, but to produce stories, you have to find it—and hopefully use it to
write about Unicorn Pole Dancers. That brings me to my next piece of advice.
Write something new. Push your boundaries. Create comforting
worlds and then, characters that rip those worlds apart. Have fun with your
imagination. Writers (all artists, really) are given an amazing gift in being
able to imagine vast universes that reality can never touch—and it’s not a gift
contained in a tiny box. There are no limits. Use that freedom well.
What’s
next for you?
Wow, I’m working on so many projects right now. In addition
to writing extensions for my historical fiction “Verses of Villainy,” I’m
working on the first 2 books in my YA “Darla Decker” series, and I’m always
writing short stories and flash fiction for anthologies. I’ve already started
writing bits and pieces, but I hope to start writing my bizarre sci-fi novel “The
Green Kangaroos” full-time in a few months.
Thank you so much for having me, Debra! :)
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