Dear
Deb and Dave!
Thank you very much for this opportunity to connect with your https://twoendsofthepen.blogspot.com/ readers. The book I’m promoting right now is “Twin
Time”. You can point your readers to the first few chapters of that book
here: https://interfaces.com/blog/twin-time
“Twin
Time” is a story of identical twins, where one is autistic and the other’s not.
It is also a time loop story. I wanted to explore the psychology and family
dynamic of a family with a sick child. I wanted to give autism a voice. Like
many of my books, “Twin Time” is fully illustrated. You can see some of the
visual research that went into this story on a special Pinterest page set up
for this book: https://www.pinterest.com/OlgaWerby/scifi-book-twin-time/
For this story, I’ve also created a
book trailer: https://www.youtube.com/watch?v=FHCxRU64hyU
“Twin Time” got an honorable mention
in San Francisco Book Festival.
The
book received a 5-star review from Readers’ Favorite: https://readersfavorite.com/book-review/twin-time
If
there is anything I can do to make this interview work better for you, please
let me know. I can provide art, reviews, links…
All
the best,
Olga
1. Can you give us a brief overview
of your latest book? Is it part of a series?
“Twin Time” takes place in two locations and two time periods: modern day San Francisco Bay Area and rural Russia just around the 1917 revolution. It follows the lives of twin girls, one autistic and one not. The twist is that the autistic child regains abilities to communicate and use language while she time-travels 100 years back.
“Twin Time” takes place in two locations and two time periods: modern day San Francisco Bay Area and rural Russia just around the 1917 revolution. It follows the lives of twin girls, one autistic and one not. The twist is that the autistic child regains abilities to communicate and use language while she time-travels 100 years back.
There are two major themes in the book. One explores what
life was like in pre-revolutionary Russia and what incredible damage it did to
families who survived it. Part of that story is based on my grandmother’s
childhood, who was a survivor of that regime change. The other theme deals with
what it means to be autistic. What does it feel like? Mostly, we have to guess
because people who profoundly autistic are usually unable to communicate. There
are also the pain and suffering that the whole family experiences while raising
a child with severe autism. I write about how love can get twisted and people
can end up damaging one another. And finally, I wanted a happy ending…sort of.
I hope my readers get to find out what happens at the end.
2. What is your writing process? Do you listen to music or do you like silence?
Yes.
Each of my books has a sound track. Once I get into the groove of the story, I
know what music fits the narrative. So I put on my music list and it helps me
get back into the mood of the story.
I usually spend a few years doing research and making notes
prior to starting a new story. But once I do, I don’t outline. My stories take
me as much by surprise as they do my readers.
I don’t stop doing research, visual and factual, once I start
writing. And the process of layering ideas one on top of another tends to yield
unexpected (to me) results. Doing that means that I have a lot of cleaning up
to do to make the story work in the end, but that’s okay. That’s just another
opportunity to discover hidden gems that I can bring out and polish for my
reader’s pleasure.
4. Did you hire an editor to review your manuscript before publishing?
When I finish my first draft, it is only the
beginning of my editing journey. My story goes through several iterations of
edits before going out to a professional editor. When my editor returns my
story, it usually is many months later. By that time, I have had time to put
some emotional distance between my story and myself. I don’t feel in love with
my turn of phrase or some plot point that I thought was kind of nice. I can let
go of it all. And I then reedit the work again. After that, it goes back to my
editor to check that I didn’t accidently add new mistakes. When I get my final
draft back, I reedit the whole one last time and it is ready for publication.
So it takes at least a year to publish a book after I’ve put the first word on
the first page of my story and it goes past my professional editor twice.
5. What have you’ve learned during your self-publishing journey?
5. What have you’ve learned during your self-publishing journey?
Writing
is easy; marketing is hard. I believe all authors feel this way. That’s because
if you are a writer, you are probably not the most social human being or very
good at self-promotion. Sure, some authors excel at both. But most, including
myself, are lousy at marketing themselves. It makes life difficult. But in
today’s publishing environment, there are no guarantees that a publisher will
invest in your book. So even if an author goes the traditional route, there are
expectations of working very hard to market one’s book. But if the book doesn’t
sell, then the publisher pulls its investment and the author is stuck. They no
longer have the rights to give their books away or run promotions, and the
story might languish and die. I chose the indie way because I get to control
what happens to my stories even if they are not as successful as they could have
been if they were represented by a big publisher. Each writer has to find their
own journey to success.
6. Besides Amazon, are there any other sites where your books are for sale?
Most
of my books are available at standard bookshops. That said, there are
limitations. Amazon makes it difficult to sell ebooks at other online shops by
setting up barriers to entry for indie writers like myself. So I make choices.
For the moment most of my ebooks are signed up with Amazon Prime program, which
requires giving Amazon an exclusive. But Amazon has 90% of the ebook market, so
what choice is there for an independent writer? I hope that by making my books
available on Amazon, my readers will discover me and make easier for me to sell
books elsewhere. So please review books! That’s the only way authors get to get
ahead and gain a bit of independence from Amazon exclusive contracts.
7. What kinds of marketing [twitter, facebook, blog, forums] are you involved with for promoting your book(s)?
Here are a few of my sites:
Author’s
Website: https://interfaces.com/blog/
Amazon: amazon.com/author/olgawerby
Facebook:
https://www.facebook.com/OlgaWerby/
Twitter:
https://twitter.com/OlgaWerby
Company/Publisher: https://Pipsqueak.com
YouTube:
https://www.youtube.com/channel/UCDE3BNceupMYgvoaoAps2mg
LinkedIn:
https://www.linkedin.com/in/olgawerby/
Pinterest:
https://www.pinterest.com/OlgaWerby/
Instagram: https://www.instagram.com/olgawerby/
8. Do you find it difficult to juggle your time between marketing your current book and writing your next book?
Yes!
If I’m on tour, even if it is virtual, I’m not using that time for writing. But
that’s true of all authors. And the thing about writing is that is a very
cognitively intensive activity. When you write, you hold all these ideas and
threads of the story in your head. Put any one of them down and it takes a lot
of time to pick it up again, to find a path forward through the narrative. But
there is no other choice—writing is an act of communication. I am not writing a
diary entry. I’m writing stories that are meant to be read. And so marketing is
just part of the author’s job, whether they like it or not.
9. What advice would you give a new author just entering into the self-publishing arena?
Write.
Write more. Like anything else, you get better by doing. Your first book won’t
be as good as your second simply because you learn so much in the process of
giving your story life. So the only way forward is to write.
Surprisingly, I find myself
in the middle of three projects. This is completely outside of my normal
working pattern, but given the times we are living through, I’m giving myself a
break about that. So here are the three projects:
“Mirror Shards” —this is just
a working titled, but it will do for now. This is the most complete project. It
went through numerous edits and his been returned from my editor with
additional comments. I haven’t looked at those for over 5 months! I got the
comments back just around the time of COVID lockdown and just couldn’t take up
the story. But here’s a quick summary: a boy is born with a deformity that rubs
him of ability to walk or play or live his life like any other healthy kid. One
day, he and his parents and uncle go to fair and visit a strange fortuneteller.
They go in, including an infant sister, and each gets some personal and secret
advice or a prophecy. Soon after, the boy is cured while his mom dies. And from
that moment on, the boy believes that his miraculous cure was “bought” with his
mom’s life. This belief tears him apart and he seeks to find the fortuneteller
and make amends. But the world is not one timeline; each decision once made
bifurcates the lifelines of the individuals who make those decisions. The boy
is plunged into the universe of millions of possible lives, looking for the one
where his family is all alive and happy and together. It is never what he
thinks it is. I hope to release this book by the end of this year.
“Lunatic”—we’ve all heard
about the stories when a man becomes a wolf. But what if instead, a man becomes
a woman? A werewoman? Every so often, he turns into a woman for a few days or
longer and his life spirals out of control. This story is about 25% complete.
“Lord Night”—this is my first
middle grade fiction novel. In this world, all orphans are assigned a demon
godparent. Lord Night is mighty demon, but one night he accidently stumbles on
a car accident where only an infant girl survives. By the laws of magic, he now
has to take on the responsibility for this child. So this is the story of Lady
Gray, Lord Night’s ward, and how she helped other orphan children get their
demons. You can listen to the first chapter here: https://www.youtube.com/watch?v=_Fsxh7OR2Qo
So these are the projects in
my pipeline. If you sign up for my newsletter, you will get regular updates on
my progress. Just visit my blog: https://interfaces.com/blog/
BLURB:
Alex and Sasha are twin sisters,
physically identical down to their freckles. But the resemblance is only skin
deep—Sasha is profoundly autistic, while Alex is not. Sasha can’t communicate
and acts bizarrely, and the family revolves around her and her intense needs.
Yet the aged, wealthy, and mysterious Aunt Nana seems to have a particular
interest in both girls. Offering a helping hand, she encourages the family to
move to San Francisco to be near her. And when the young twins discover a
tunnel in Nana’s tool shed, it leads them on a journey across the world and
back 100 years in time. The tunnel is a pathway to the Firebird Estate, the
home of their ancestors, located in rural Russia at the beginning of the
twentieth century.
Even more remarkable, through the effect that twisting time has on
cognition, Sasha is not autistic when she’s at the Firebird Estate. Now,
growing up in two strikingly different times and places, the twins must face
their separate destinies among the ravages of the incipient Russian Revolution.
Can they save their families on both sides of the tunnel? Can they
simultaneously stay true to their own hearts, to each other, and to the people
they left behind? Each sister must face her own personal challenge—but only
together can they discover their own future within their family’s past.
~~~~~~~~~~~~~
AUTHOR Bio and Links:
Olga Werby, Ed.D., has a Doctorate
from U.C. Berkeley with a focus on designing online learning experiences. She
has a Master's degree from U.C. Berkeley in Education of Math, Science, and
Technology. She has been creating computer-based projects since 1981 with
organizations such as NASA (where she worked on the Pioneer Venus project),
Addison-Wesley, and the Princeton Review. Olga has a B.A. degree in Mathematics
and Astrophysics from Columbia University.
She became an accidental science
fiction indie writer about a decade ago, with her first book, "Suddenly
Paris," which was based on then fairly novel idea of virtual universes.
Her next story, "The FATOFF Conspiracy," was a horror story about
fat, government bureaucracy, and body image. She writes about characters that
rarely get represented in science fiction stories -- homeless kids, refugees,
handicapped, autistic individuals -- the social underdogs of our world. Her
stories are based in real science, which is admittedly stretched to the very
limit of possible.
She has published almost a dozen fiction books to date and
has won many awards for her writings. Her short fiction has been featured in
several issues of "Alien Dimensions Magazine," "600 second
saga," "Graveyard Girls," "Kyanite Press' Fables and Fairy
Tales," "The Carmen Online Theater Group's Chronicles of
Terror," with many more stories freely available on her blog,
Interfaces.com.
Links:
Selected Book Links on Amazon:
“Becoming Animals”: https://www.amazon.com/gp/product/B078P6BB6K/
“Suddenly, Paris”: https://www.amazon.com/gp/product/B014OM5158/
“The FATOFF Conspiracy”: https://www.amazon.com/gp/product/B014S0W4WO/
“Twin Time”: https://www.amazon.com/gp/product/B01LZM578L/
“Lizard Girl & Ghost: The
Chronicles of DaDA Immortals”: https://www.amazon.com/gp/product/B07FBR7Q1T/
“Coding Peter”: https://www.amazon.com/gp/product/B01LFP45WC/
“Fresh Seed”: https://www.amazon.com/gp/product/B07FFDZNYB/
“Good Girl”: https://www.amazon.com/gp/product/B08CCGYGHV
“God of Small Affairs”: https://www.amazon.com/gp/product/B07Y2FT9H2/
a Rafflecopter giveaway
Thanks for hosting!
ReplyDeleteThank you very much for sharing my story with your audience!
ReplyDeleteIt sounds like a very interesting book. Thank you for sharing.
ReplyDelete